Friday 7 May 2010

Production Role Research

I was an actor in the teaser trailer and I was also the main compser of the trailer.


ACTOR

Actors are the embodiment of any film production - theirs is the public face, which represents many others' work and efforts. It is rare for the public to see the Scriptwriter, the Producer, or the Director of a film - their perception is based on what is portrayed by the Actors on screen: they present a visual interpretation of the script.


For some roles, they must carry out extensive research, for others their character is moulded and developed during rehearsals. They work with the Director to create believable, natural characters expressing the appropriate emotions, based on the Scriptwriter's words, but built upon in order to convince the audience of their veracity.


On films, they must be able to learn their lines quickly, and to retain their meaning and inflection, while sometimes repeating the same scene many times over, for re-takes, and while scenes are shot from different angles. They should also know their fellow Actors' lines, so that they can respond to them accurately and appropriately.


They must be able to contribute ideas and suggestions to improve their own performance, in a creative and collaborative way, whilst also being able to take direction, notes and constructive criticism from members of the Directing team. They need to remember their exact positions and movements at any given time during the performance, to assist with continuity.


They must also be able to continually hit their marks on set, without looking down to locate them. Actors must be infinitely adaptable, as they may find themselves portraying many different characters over a short period of time. They must be aware that others contribute to their characterisation, e.g., those working in the Make Up, Costume, and Design teams, and that they may be serviced by a host of others in terms of transport, catering, etc., but that the ultimate responsibility lies with the Actors themselves.


As casting a well known Actor may provide the main marketing point of a feature film, he or she bears a great deal of the responsibility for its box office success, or failure. Actors also have a responsibility to their audience, to ensure that they deliver consistent performances, to the best of their abilities, irrespective of their personal circumstances.


COMPOSERS

Composers write music that is appropriate for each film, and consistent with the Director's vision. Ideally working in creative collaboration with Directors, Composers write scores that guide the audience through the drama, increase films' emotional impact, and give them atmosphere. Composers assemble and brief appropriate teams, including Orchestrators, Copyists, and Programmers, and oversee the entire process, from early in pre-production when films are at the assembly stage, through to the final sound mix, or dub.


Responsibilities

Composers are responsible for writing original music for films. They discuss ideas with Directors, and establish where and when music is required during spotting sessions. They produce a demo score, searching for a musical style to suit the story, and decide on the themes and purpose of the music. Composers may also be required to produce temp tracks, sometimes made up of other composers' work, which can be used in test screenings. They write themes to pictures, and they deal with any required revisions, often collaborating closely with the Editor to hone the score as the edit progresses. Composers prepare the score, usually on midi files, for the Orchestrator (who may also have some creative input), and the Copyist. Composers prepare all the electronic aspects of the score for the recording sessions, and attend the sessions. They are responsible for delivering the score to the Producer, together with all recordable media, prepared to specific requirements. Composers' work is usually overseen by Music Supervisors or Music Agents.


Skills

Composers for film productions need to be musically versatile, and able to compose in different styles. They must be able to improvise, and to create themes quickly under the pressure of deadlines. They need to be able to work collaboratively, and to be flexible and willing to compromise. The ability to listen to Directors, and to translate their vision into musical terms, is crucial. Many Composers use samples, and produce electronic scores using technology such as ProTools. Computer skills, and the ability to work with new technology are increasingly required. Composers must have a feel for drama and narrative, and the ability to write music to pictures. An understanding of the technical side of filmmaking, and an appreciation of how this affects the sound, are also important. Imagination and a passion for film and music are essential.

Production Company

LIONSGATE


Its an Canadian movie studios. It mostly deals with horror films.

Lions Gate Entertainment Corporation (Sometimes stylized as LIONSGATE) is a Canadian entertainment company that originated in Vancouver, British Columbia and is now headquartered in Santa Monica, California, USA. As of 2007, it is the most commercially successful independent film and television distribution company in North America.


Its first major box office success was American Psycho in 2000, which began a trend of producing and distributing films too controversial for the major American studios. Other notable films included Affliction, Gods and Monsters, Dogma, Saw and the Michael Moore documentary Fahrenheit 9/11, which became the studio's highest grossing film.


Lionsgate (now branded as one word, though the official company name is still two words), along with MGM and Paramount Pictures/Viacom, is also a co-owner of Epix, a new pay TV movie channel which debuted on October 30, 2009 on Verizon FiOS IPTV systems, that will rival HBO and Showtime.


Giustra named the company for a hometown landmark - Vancouver's Lions' Gate Bridge. The term "Lions' Gate" reflects the Lions, a pair of mountain peaks north of Vancouver.


Lions Gate has introduced a new family film label, Lions Gate Family Entertainment. The first film that will be released under this label will be Alpha and Omega. Lions Gate Family Entertainment will be combined with live-action and animated films.


In 2009, Lions Gate, along with Sony Pictures Entertainment, Warner Bros., Paramount, and Metro-Goldwyn-Mayer, made a stake for Hulu (owned by News Corporation, NBC Universal/General Electric, and The Walt Disney Company) for its movies and TV shows. Lionsgate also stated they would be starting work in music albums, later in 2011.


Films released by Lionsgate:

SAW (s)

hostel

crank

skinwalkers

teeth

my bloody valentine 3d

Gamer

Brothers

Daybreakers

Kick Ass


http://en.wikipedia.org/wiki/Lions_Gate_Entertainment

Role Research


As this is my role research for my Don boss type character in my teaser trailer. I will be trying to portray the type of character that these characters were like in the films. Such as Frank Lucas. Who is a huge influence in the way he sold drugs and cut out the middle man but also, Lenny from RocknRolla, who very much dominated the London crime scene and in the film hated the new crime bosses as he thought they werent worthy of his time. His torture of the people who disobeyed him in the film is understandably horrific.












Former heroin dealer & organised crime boss who operated in Harlem in 1960-1970's.

He knew that if he wanted to be successful he would have to be better than the Italian mafia in New York.

Known for cutting out the middlemen in the drug trade, buying straight from his source in the Golden Triangle. He boasted he smuggled the drugs using coffins of dead American servicemen.

His 'Blue Magic' was 98-100% pure shipped in from Thailand.

He made $1 million a day selling drugs.






http://en.wikipedia.org/wiki/Frank_Lucas_(drug_lord)

Individual Magazine Cover


Conventions

real time - doenst blend in

stand out against over pictures

awareness

get people interested

using main picture

marketing johnny depp

Magazine Ideas

Empire Magazine website has top 20 magazine covers voted by readers themselves. This is valuable information when designing our covers.


The Top 10 are:











Poster Ideas






















For our poster, we decided to use the shot where Lauren is pointing the gun at the camera. at first we were going to use the camera footage and turn it into a screenshot, however after talking to Simon, we learnt that a screenshot blown p to poster size will lose quality and become pixellated. therefore we are going to re shoot using a digital camera.

Changes

As when we were editing our film we noticed that there were some flaws in our film and so need to do some more filming to make it as successful and realistic as possible.


The film has gone through many changes, one being that the shots we planned to use in the trailer when we drew the storyboard were not used. The drive-by scene was changed as it was too hard to shoot and so opted for to two fighting scenes involving James and Lauren. We used more extra's and the end result is fast paced and violent.

These little changes wont take very long.

Editing

Editing for a teaser trailer are quite vital for making it the most effective and putting across the genre and theme for the film.




Most editing for a teaser trailer is fast paced and quick.


For our trailer we want the editing to be excatly that - fast paced. This means however we will most likely be having to do a lot of scenes to make sure we can cut to and from different scenes without making it difficult to read to the audience, as it is for them. The scenes will make sure it tells our story without giving too much away.


We feel that for our trailer it is best if you can keep some of the story or secrets hidden from the audience leaving them wanting more. This will definitely want them to see the film.

Experimental Photos For Film

s


Some of these pictures can resemble a little too much of the college but these are experimental photographs and not all these places around college will be used.

Script

Cut to JIMMY CRICKET in a office type room. He is on the phone. He is dressed smart.


JIMMY CRICKET: What? Do you know who I fucking am? You fucking mug!


Freeze frame, name 'JIMMY' on the side.


Cut to JIMMY CRICKET in another room, there is a female on his lap. She gets off his lap and walks off. JIMMY CRICKET slaps the female's bum.


Close up of slap.


The female turns around to scowl at JIMMY CRICKET. Freeze frame, name 'TAMMY' down the side.


Shot of VINNY punching someone in face, word VINNY appears.


Cut to shot of JIMMY CRICKET dead in his office


Shot to the Production company logo.


A mid-shot of TAMMY with four extra's around him.


A mid-shot of VINCENT with four extra's around him.


Extreme close up of thier faces together.


Shot of face-off between TAMMY and VINCENT.


Cut to different location and someone is kicked in the head and badly beaten


A close up of a water


Someone is pushing another face down


A long shot of three thugs through a car window.


It's the same shot but with a gun to the right hand side aiming at the three.


There is a over the shoulder shot of the three thugs and someone aiming at them through a car window.


Fade out


Cut to POV shot as a door opens. a female turns around. TAMMY has her hair is down, she is dressed in a purple coat and smiles sinfully.


TAMMY: Hello.


Slowly lifts a gun at the camera.


Title


Coming soon & date.

History Of Gangster Films

Often Gangster films are the highlights the life of a crime figure or a crime victim(s). They can glorify the rise and fall of a particular criminal, gang, robber, murderer or lawbreakers in power struggles or a conflict with the law, rivals, etcetera.

Rivalry wih other criminals in gangster warfare is often significant plot characteristic. Crime/Gangster plots include questions as how the criminal will be arrested by the police, private investigators, undercover agents and mysteries on who stole a valuable object or killed various characters.

Criminal gang films, as in Once Upon a Time in America and Gangs of New York, are more than likely fatal struggles of generation rivalries and childhood friendships which is familiar in the gangster film Boyz N the Hood and Menace II Society.



Many of the mobstar character plots are the rise to power with a tough facade while showing a ambitious desire for success and recognition but underneath can sometimes come across as sensitive & gentleness.

The characters are money hungry, especially violent and their love for shooting first before asking questions kept audience wanting to see more gangster films. They are mainly materialistic, street smart, immoral and self destructive.

Gangster films are usual set in large crowded cities provide a view of the secret world of a criminal. Dark nightclubs, streets with lurid neon signs, fast cars, cash, sleazy bars, horrible living houses. Exotic bars/nightclubs often add the element of wealth and adventure.

The first ever acknowledged Gangster films were very early on in the 1900's.

- D.W Griffith's The Musketeers of Pig Alley (1912)
- The Regeneration (1915)

The first sound gangster film and all talking film was The Lights of New York in 1928, as it enhanced urban dramas of its time with dialogue and sound effects as getaways, car tires and gunshots.

However, Josef Von Sternberg's Underworld (1927) With George Raft and Clive Brook was considered the first ever modern gangster film as it was shot from the gangster's point of view. The lead role in these films were glorified until the final scenes were he met his doom. This was due to censor demands in the 1930's.

From the early 20Th century Gangster films evolved. Warner bros has been producing gangster films for years but until the 1930's they had real talent in Edward G Robinson, Paul Muni, George Raft, director, Raoul Walsh, James Cagney and Humphery Bogart - who claimed to fame in The Petrified Forest (1936)

Little Caesar was another hugely inspirational film as it has been said that it imitated early 1930 films. Other inspirations for films since then have been John Dillinger and Al Capone - who liked Scarface (1932) so much that he had his own copy.

In the 1950's and 1960's changes to the Production Code, originally set in the 1930's, meant a new ratings system in 1969 that could allow releasing films appropriate for different audiences.


Then came Bonnie & Clyde (1967) and Godfather (1972).



Godfather gave the audience a spectacle of the American Dream. With its promise to its immigrants that it could provide such a wonderful life. The two films focus on a very close family from Sicily settling in New York and trying to make the American dream. Violent deaths, strong quotes from a family that in the end was destroyed by the faithfulness that the original gangster struggles apprehend.


In a sudden twist of events, American Gangster (2007) saw a totally different side to Gangster films. Based on a true story. Frank Lucas, who creates himself as a heroin importer after seeing his employer and mentor die. The plot and theme of this film is extremely common with most gangster films, such as being a family man, taking control and in the end having to admit defeat for being too money hungry and confident. However, with Frank Lucas - he is African American.

Unlike most gangster films were characters are Italian, Irish or immigrants to Americas, Frank Lucas is very much American and there is hardly a recognition to his African background.

The gangster genre has very much so developed from the 1912’s but that has to be expected. With American Gangster huge popularity, it’s the perfect example that gangster films shouldn’t be so predictable.

www.filmsite.org/crimefilms.html
http://www.crimeculture.com/Contents/Gangster%20Sagas.html
http://www.filmreference.com/encyclopedia/Criticism-Ideology/Gangster-Films-A-METAPHOR-FOR-ALL-SEASONS.html

http://www.imdb.com/title/tt0765429/

American Gangster Poster

american-gangster.jpeg src="webkit-fake-url://02B93425-DA28-4E01-A5FB-C47A3EE231D1/american-gangster.jpeg">

This is one of several posters used in the marketing campaign for the film American Gangster. The first convention of this poster is stating previous films by the director. The films selected were Gladiator and Black Hawk Down. These are both very successful films and are likely to attract more cinema-goers. The next convention is to have the names of the main actors/actresses in the film. The names of Denzel Washington and Russell Crowe are both put into the poster and also the fact they are award winning actors. The use of putting the big name actors in the poster is likely to attract a wider audience. The picture in the poster has Denzel Washington dressed in a suit wearing a lot of jewelry on his hands and also holding a gun. The use of this picture shows the audience that the film is a gangster genre. It only shows the bottom half of his face. This helps us to realise the serious mood of the character. Furthermore in the picture it is easy to determine the setting. You can work out the setting as New York from looking at the poster and that it is set in the city. The title is positioned in the middle of the page and is in quite a big font with a red line in between the two words. The red within the title suggests blood, passion and anger which is linked to the genre of gangster. The poster is mainly in black and white and looks quite old fashioned. This suggests that the film is set within a past time period.

Feedback

Feedback


So finally we finished our draft of our teaser trailer and when we showed it to everyone - our feedback was pretty good!!

Our main strengths are: Use of freeze frames, soundtrack, credits and use of titles.


We could work on: different places to film (college location is too evident), not enough close up and extreme close up's and the editing could be quicker.

Company Logos

We have been looking at different company logos to put into the treaser trailer. Our company logos will have to fit with the genre of the trailer.

The most popular companys are:


































Shot Composition Activity


Today our group looked into shot composition. We carried out an activity where we took a variety of pictures following the compositional rules or guidelines.
We will try to use this when filming our trailer.

With shot composition and using the rule of thirds we can make more significant shots and can put these in the poster. The rule of thirds is a main rule of the trailer and we will be making sure we can use as many different shots as possible.

Extreme close ups give the audience a better insight on who and how the character is feeling. Whereas, long shots can give the audience a look on the bigger picture.

American Gangster Marketing Campaign

Marketing Campaign- American Gangster

Release date: November 6th 2007

DVD release date: February 19th 2008


Universal made a widget on facebook that can be added to your homepage that allowed you to look at music from the soundtrack for the film, photos and more.

There were many interviews with Denzel Washington to talk about the film. Also, there is an interview with his co-star in the film, Russell Crowe.

There were 4 main posters released for American gangster. These were one with a picture of Denzel Washington’s character, one with Russell Crowe’s character, one with both of the characters and another with both of the characters but also including short reviews. The soundtrack of the film was released a week after the release of the film. Also, Jay-Z released his album American gangster inspired by the film in conjunction with its release. The New York Times speculated that the album's release in conjunction with the film would attract young moviegoers and help Universal Pictures generate profits to recover from the film's troubled development history. In November 2007 (the same month in which the film was released), gameloft released a mobile video based on the video game.


The marketing campaign for American Gangster started in 2006, with an article on Russell Crowe being shocked to know that the poilce officer who arrested him a few months before was appearing in the film. This gave the target audience an insight onto the film and would want to know what else was in store when filming American Gangster.

Jay Z was a huge influence on to who went to see the film. It was said that Jay Z would have the film playing in the background in the studio to keep him inpsired.

Jay Z said "that the movie had tremendous resonance for him and had sparked a burst of creative activity that even he found surprising."


ON the day of it's release, American Gangster made $43, 565, 135.


I felt that with the film, American Gangster, the audience saw a very sympathetic side to Frank Lucas. In the trailer, Frank Lucas is seen as the 'good guy' and the officer, the 'bad guy.' But more than anything else, the audience see that Frank Lucas is in fact African American and has accomplished more than any other Mafia.

THe shortest trailer for American Gangster is 1minute 55 seconds.






http://www.imdb.com/title/tt0765429/

http://movies.nytimes.com/2007/11/02/movies/02gang.html

http://en.wikipedia.org/wiki/American_Gangster_(album)

http://www.nytimes.com/2007/09/20/arts/music/20jayz.html