Friday, 7 May 2010

Production Role Research

I was an actor in the teaser trailer and I was also the main compser of the trailer.


ACTOR

Actors are the embodiment of any film production - theirs is the public face, which represents many others' work and efforts. It is rare for the public to see the Scriptwriter, the Producer, or the Director of a film - their perception is based on what is portrayed by the Actors on screen: they present a visual interpretation of the script.


For some roles, they must carry out extensive research, for others their character is moulded and developed during rehearsals. They work with the Director to create believable, natural characters expressing the appropriate emotions, based on the Scriptwriter's words, but built upon in order to convince the audience of their veracity.


On films, they must be able to learn their lines quickly, and to retain their meaning and inflection, while sometimes repeating the same scene many times over, for re-takes, and while scenes are shot from different angles. They should also know their fellow Actors' lines, so that they can respond to them accurately and appropriately.


They must be able to contribute ideas and suggestions to improve their own performance, in a creative and collaborative way, whilst also being able to take direction, notes and constructive criticism from members of the Directing team. They need to remember their exact positions and movements at any given time during the performance, to assist with continuity.


They must also be able to continually hit their marks on set, without looking down to locate them. Actors must be infinitely adaptable, as they may find themselves portraying many different characters over a short period of time. They must be aware that others contribute to their characterisation, e.g., those working in the Make Up, Costume, and Design teams, and that they may be serviced by a host of others in terms of transport, catering, etc., but that the ultimate responsibility lies with the Actors themselves.


As casting a well known Actor may provide the main marketing point of a feature film, he or she bears a great deal of the responsibility for its box office success, or failure. Actors also have a responsibility to their audience, to ensure that they deliver consistent performances, to the best of their abilities, irrespective of their personal circumstances.


COMPOSERS

Composers write music that is appropriate for each film, and consistent with the Director's vision. Ideally working in creative collaboration with Directors, Composers write scores that guide the audience through the drama, increase films' emotional impact, and give them atmosphere. Composers assemble and brief appropriate teams, including Orchestrators, Copyists, and Programmers, and oversee the entire process, from early in pre-production when films are at the assembly stage, through to the final sound mix, or dub.


Responsibilities

Composers are responsible for writing original music for films. They discuss ideas with Directors, and establish where and when music is required during spotting sessions. They produce a demo score, searching for a musical style to suit the story, and decide on the themes and purpose of the music. Composers may also be required to produce temp tracks, sometimes made up of other composers' work, which can be used in test screenings. They write themes to pictures, and they deal with any required revisions, often collaborating closely with the Editor to hone the score as the edit progresses. Composers prepare the score, usually on midi files, for the Orchestrator (who may also have some creative input), and the Copyist. Composers prepare all the electronic aspects of the score for the recording sessions, and attend the sessions. They are responsible for delivering the score to the Producer, together with all recordable media, prepared to specific requirements. Composers' work is usually overseen by Music Supervisors or Music Agents.


Skills

Composers for film productions need to be musically versatile, and able to compose in different styles. They must be able to improvise, and to create themes quickly under the pressure of deadlines. They need to be able to work collaboratively, and to be flexible and willing to compromise. The ability to listen to Directors, and to translate their vision into musical terms, is crucial. Many Composers use samples, and produce electronic scores using technology such as ProTools. Computer skills, and the ability to work with new technology are increasingly required. Composers must have a feel for drama and narrative, and the ability to write music to pictures. An understanding of the technical side of filmmaking, and an appreciation of how this affects the sound, are also important. Imagination and a passion for film and music are essential.

Production Company

LIONSGATE


Its an Canadian movie studios. It mostly deals with horror films.

Lions Gate Entertainment Corporation (Sometimes stylized as LIONSGATE) is a Canadian entertainment company that originated in Vancouver, British Columbia and is now headquartered in Santa Monica, California, USA. As of 2007, it is the most commercially successful independent film and television distribution company in North America.


Its first major box office success was American Psycho in 2000, which began a trend of producing and distributing films too controversial for the major American studios. Other notable films included Affliction, Gods and Monsters, Dogma, Saw and the Michael Moore documentary Fahrenheit 9/11, which became the studio's highest grossing film.


Lionsgate (now branded as one word, though the official company name is still two words), along with MGM and Paramount Pictures/Viacom, is also a co-owner of Epix, a new pay TV movie channel which debuted on October 30, 2009 on Verizon FiOS IPTV systems, that will rival HBO and Showtime.


Giustra named the company for a hometown landmark - Vancouver's Lions' Gate Bridge. The term "Lions' Gate" reflects the Lions, a pair of mountain peaks north of Vancouver.


Lions Gate has introduced a new family film label, Lions Gate Family Entertainment. The first film that will be released under this label will be Alpha and Omega. Lions Gate Family Entertainment will be combined with live-action and animated films.


In 2009, Lions Gate, along with Sony Pictures Entertainment, Warner Bros., Paramount, and Metro-Goldwyn-Mayer, made a stake for Hulu (owned by News Corporation, NBC Universal/General Electric, and The Walt Disney Company) for its movies and TV shows. Lionsgate also stated they would be starting work in music albums, later in 2011.


Films released by Lionsgate:

SAW (s)

hostel

crank

skinwalkers

teeth

my bloody valentine 3d

Gamer

Brothers

Daybreakers

Kick Ass


http://en.wikipedia.org/wiki/Lions_Gate_Entertainment

Role Research


As this is my role research for my Don boss type character in my teaser trailer. I will be trying to portray the type of character that these characters were like in the films. Such as Frank Lucas. Who is a huge influence in the way he sold drugs and cut out the middle man but also, Lenny from RocknRolla, who very much dominated the London crime scene and in the film hated the new crime bosses as he thought they werent worthy of his time. His torture of the people who disobeyed him in the film is understandably horrific.












Former heroin dealer & organised crime boss who operated in Harlem in 1960-1970's.

He knew that if he wanted to be successful he would have to be better than the Italian mafia in New York.

Known for cutting out the middlemen in the drug trade, buying straight from his source in the Golden Triangle. He boasted he smuggled the drugs using coffins of dead American servicemen.

His 'Blue Magic' was 98-100% pure shipped in from Thailand.

He made $1 million a day selling drugs.






http://en.wikipedia.org/wiki/Frank_Lucas_(drug_lord)

Individual Magazine Cover


Conventions

real time - doenst blend in

stand out against over pictures

awareness

get people interested

using main picture

marketing johnny depp

Magazine Ideas

Empire Magazine website has top 20 magazine covers voted by readers themselves. This is valuable information when designing our covers.


The Top 10 are:











Poster Ideas






















For our poster, we decided to use the shot where Lauren is pointing the gun at the camera. at first we were going to use the camera footage and turn it into a screenshot, however after talking to Simon, we learnt that a screenshot blown p to poster size will lose quality and become pixellated. therefore we are going to re shoot using a digital camera.

Changes

As when we were editing our film we noticed that there were some flaws in our film and so need to do some more filming to make it as successful and realistic as possible.


The film has gone through many changes, one being that the shots we planned to use in the trailer when we drew the storyboard were not used. The drive-by scene was changed as it was too hard to shoot and so opted for to two fighting scenes involving James and Lauren. We used more extra's and the end result is fast paced and violent.

These little changes wont take very long.